|Karlification! This article has been written, edited, double-checked or approved by Karl Koch, webmaster, historian, archivist and unofficial fifth member of Weezer.|
Last Karl edit: Aug. 2011
|Birth name||Karl Michael Koch|
|Born||September 15, 1969 (age 53)|
Karl Michael Koch (born September 15, 1969) is the webmaster, historian, archivist and unofficial fifth member of Weezer. He releases music of his own under the moniker Karlophone, and has run the small indie record label Amorphous Records. Koch's contributions to the aesthetic and cultural impact of Weezer cannot be overstated.
- 1 Biography
- 2 Interests
- 3 Weezer
- 4 Discography
- 5 Videography
- 6 Interviews
- 7 See also
- 8 External links
Karl Koch graduated in the spring of 1991 from Maryland Institute, College Of Art in Baltimore MD and soon went out to LA in a 1988 Ford Bronco at the urging of his best friend Pat Finn. His parents (specifically his father) were a bit skeptical about his decision to move to LA. "I was introduced to Pat Wilson in Buffalo by Pat Finn, shortly before they took off to LA in early spring 1990. A year later, I followed them out there, and Pat [Finn] introduced me to Matt, Rivers and Jason. We lived in a cheap rather unpleasant apartment located on the ground floor of 1711 Stoner Avenue in West Los Angeles. Pat and Jason were very messy roommates. [Pat Finn] said, 'You gotta come out here man! Whatever you want to do, this is the place to do it!' I was like, 'Alright.' So I kinda packed up, against my parents' wishes." Koch's initial ideas for what he would do in Los Angeles included continuing his fine arts education at Cal Arts Valencia (plan abandoned after a brief visit to the Cal Arts campus), publishing a comic book that Pat Finn would write and Koch would illustrate (unfinished), and becoming a professional fine arts painter by setting up a studio in his apartment (a few new paintings made, but plan put on hold due to later Weezer activity).
At first, Koch didn't know anyone that would end up in Weezer, but eventually met the members through Pat Finn. Koch recalled an early memory of (former Weezer bassist) Matt Sharp as a sad guy wearing little round glasses, black turtlenecks, and new wave hair. This was in January 1991, 6 months before he moved to L.A., during a winter break California vacation. Pat Wilson, and Matt lived there, Pat [Finn] was staying there temporarily, and Rivers was about to move in. "It was a nice apartment [on Genesee St, just north of Beverly Blvd], but they couldn't afford anything. So [Matt would] sit on [cheap plastic] lawn furniture...and watch Woody Allen films."
Koch lived with a growing cast of characters at 1711 Stoner Avenue, and worked a warehouse job at REI in Torrance, CA (he and Pat Finn both found jobs there, and commuted for their roughly 30 hour a week schedules). Over the course of summer 1991, Koch witnessed the coalescing of Wilson, Finn, Jason Cropper, and Rivers into Sixty Wrong Sausages, who ended up having one show around Thanksgiving 1991 in Petaluma, CA, before breaking up. Over the winter of 1991-1992 the band that would become Weezer was born from demos and discussions of Wilson, Rivers and Cropper. Koch was very excited by the new early Weezer songs and stepped in ready to help and document the band as he had with the short lived Sausages. Meanwhile the Stoner Apartment took on more and more people, including Bob Hnilo, Von Lono, and Takashi Hasegawa, a great guy from Japan that Rivers and Pat Finn met via Kyokushin Karate lessons in Burbank, CA. With 7 people sharing the $800 rent, they each paid $120 for several squalor filled months. In addition, an annoying girl from Holland named Antionique was somehow allowed to stay there for several weeks in the summer of 1991, as well as a several month long stay by Jesse Humphreys, a Northern California guy who Pat Finn had met through Jason Cropper.
In March 1992, while Rivers, Matt and Justin Fisher moved into 2226 Amherst Avenue (home of "The Garage" rehearsal space, The Kitchen Tapes demos, and the Say It Ain't So music video), Koch, Pat Finn and Takashi Hasegawa moved into The Fuller-Martel Plaza apartment complex on Sunset Boulevard in Hollywood, next door to the apartment that housed their friends in Wax (as well as future jackass members PJ Clapp (Johnny Knoxville), Handsome Jack, and Loomis). This apartment was known as The Blue Diamond Terrace. There, Koch took a second job as a clerk in the nearby Wherehouse music and video store, at the corner of Sunset Blvd and La Brea Avenue. At that job he allowed dangerous gang members to shoplift Rodney O / Joe Cooley and Dr Dre cassingles in order to preserve his own safety, and watched with amusement as opportunistic thieves constantly grabbed karaoke machines and ran out the door with them, causing the store manager to chase after them screaming bloody murder. He also met Catherine O'Hara, Ice Cube, Henry Rollins, and Brad Pitt there, all of whom came in as customers. Brad Pitt bought the Lynyrd Skynyrd box set, claiming his last copy had been stolen at a recent party. Koch did not know who it was until he saw "Bradley Pitt" on Pitt's check, about which he was required to call a bank to get cleared due to store policy, leading to an awkward moment.
At the Fuller apartment, which lasted from march 1992 till August 1993, Koch lived with Finn and Hasegawa, but they added a 4th roommate in an illegal loft that Koch built into the dining room area. The 4th roommate was Pat Finn's little brother Brendan, then Darrin Pfieffer (later of Goldfinger and CFNY.FM in Toronto), then Finn and Koch's best friend John Drenning, and finally Patrick Wilson with his then girlfriend (future wife) Jennifer Wright. As Weezer progressed and eventually locked in a record deal, both Finn and Drenning elected to move out of L.A., Hasegawa got another apartment, and Koch went to New York with Weezer to help out with the making of what would later be known as The Blue Album. The Fuller Martel apartment was no more.
After the Blue Album was made Koch moved into an apartment in Van Nuys with Rivers (and later Kevin Ridel) from January - May 1994. They moved in right when the 1994 Northridge Earthquake struck, but strangely their cheap apartment was undamaged and rated safe, and they simply had to endure as the power, water, gas and phone slowly got turned on over their first week in the new place, as well as long lines at the nearby damaged supermarkets. In this time period his role was cemented as guitar and backline tech, van driver, and general assistant for Weezer. In May, Rivers completed his semester studying music at LAVC (across the street from the apartment), the Blue Album was finally released, and Weezer hit the road at last.
Koch worked in these roles from 1994-2000, with a hiatus in 1998-99 when he did his best to continue the Weezer Fanclub, which had lost its founders, Mykel and Carli Allen, in a terrible car accident in July 1997. In early 2001, after the summer of 2000 where he learned to be a webmaster for the rapidly growing weezer.net/weezer.com, he became a full time webmaster plus road photographer and videographer, and all around archivist. His roles as guitar and backline tech were relegated to new staff. Since then, as Weezer has gone through peoplds of touring, recording and hiatuses, Koch has continued in these roles and others, such as the creation of the Weezer DVD, some music videos, and contributing to a myriad of other Weezer projects over the years.
In 2002 He released his first music album as Karlophone, and followed up with another album in 2007. As of 2011, he continues managing a consistent work load with Weezer projects, records more music for a 3rd karlophone album when he can, and still intends on getting back to fine art painting when he has time.
Koch has a healthy interest in film, comics, and of course, music. He's a huge fan of The Clash. "They always destroy me. I listened to them so many times between 13 and 18...thousands of times...too many times. They're just in my blood stream." Koch also enjoys DJ Shadow, James Brown, Jay-Z's American Gangster, The Beatles, Brian Wilson and The Beach Boys."
In a 2008 interview with Weezerpedia, Koch expressed interest in "Paper Planes" by M.I.A., The Bird and the Bee, Band of Horses, and The Shins. Still, Koch says he's always exploring the past. "90% of the new music I listen to is in the past. The best record is one that has some killer songs, but also something I can sample on it."
I'm going to tell you something - I'll tell you right now: we wouldn't be here if it wasn't for Karl. Karl had a car. You know, that's how we got to practice. That's how we did things. That's how we accomplished a lot.
- Pat Wilson, MTV2 Interview (2005)
He's the one who took us to our shows, and helped us carry our gear, and set everything up, and tune our guitars, and draw our fliers, and give us tons of artistic advice and moral support. And he's been there ever since the very beginning."
- Rivers Cuomo, MTV2 Interview (2005)
Koch is considered by many to be the number one authority on all things Weezer. In addition to (formerly) running Weezer's website, Koch posts regular updates on Weezer's social media accounts in his own news feature called Karl's Corner. His production credits include the band's DVD, Video Capture Device and videos for "Pink Triangle", "Photograph", "Slob", the music video for The Special Goodness' "Life Goes By" of which Weezer's Pat Wilson is a member, the videos for "Blast Off!" and "Lover In The Snow" from Alone: The Home Recordings of Rivers Cuomo, and the video for "My Brain Is Working Overtime" from Alone II: The Home Recordings of Rivers Cuomo by Weezer frontman Rivers Cuomo. Koch offers a unique and less biased opinion than the members of Weezer. He occasionally posts on the Albumsix forums under the name Karlophone.
Koch recalls the general shift in musical tastes (in L.A. music scene of the early 90's) from the Red Hot Chili Peppers' funk sound towards the sub-pop grunge sound. "I remember being in college (1987-1991, before arriving in L.A.) ...and (we became aware of early grunge), we were like, 'Oh Mudhoney' (was cool), but Nirvana was just another sub-pop band...who the hell knew what Nirvana was? Obviously, when Nevermind came out everyone took notice... It was kind of this realization that this is the sound. These guys The Pixies and Nirvana have it right." (By extension, the RHCP sound, while exploding nationally, was no longer considered hip or cool like it was in the late 80s. The proto-weezer band 60 Wrong Sausages took some cues from that world, but by the time the band imploded a few months later, that sound was considered passe).
He recalls that the night Weezer was signed was "chaos". I just remember this insane party (at the Amherst House). Todd (Sullivan), our (A&R) guy, came over. It was just nuts. But that one paled in comparison to the going away party (later in the summer, just prior to the band going to NYC to make 'Blue')." Koch was able to fly out to New York City with Weezer, his flights, hotel and 'per diem' covered by the Geffen contract. In New York City, Koch documented the entire process of recording in video. Much of this material is viewable on the VCD. Once the band started touring in Spring 1994, he served as the band's tour manager, gear wrangler, roadie, merchandise seller, and driver, transporting the boys around California for early shows in the band's 1984 van, Betsy.
Koch has had in his possession one of the only full copies of the unreleased Weezer songs that were to be collaborated on Songs from the Black Hole (an album that Weezer fans have been hoping for the release of since it became known) and hundreds of other unreleased Weezer recordings. He is very involved with the band in other aspects.
Koch appears in Weezer's 2006 music video for "Perfect Situation" as well as the 1995 video for "Say It Ain't So." He is also credited as being 'Karl Koch' in the Pinkerton credits and for 'Rack Jobber' and 'photography' in The Red Album credits.
Koch's authority on all things Weezer has caused the fan base to coin the term "Karlification", a clever take on 'clarification'. Whenever the fans hear rumors or are unsure about certain 'facts' about the band, they will often email Koch or request his presence at message boards to clear the air.
Favorite Weezer songs
- The Blue Album - "Holiday"
- Pinkerton - "Falling for You"
- Hiatus - "All that Homie stuff"
- The Green Album - "Smile" ; "Glorious Day"
- Maladroit - "Slob", "Fall Together"
- Make Believe - "The Damage in Your Heart" ; "The Other Way"
- The Red Album - "Dreamin'" ; "The Greatest Man That Ever Lived (Variations on a Shaker Hymn)" ; "Miss Sweeney"
- Raditude - "Tripping Down the Freeway"
- Hurley - "Smart Girls", "Brave New World", "Unspoken" (live version)
- Everything Will Be Alright in the End - "The Futurescope Trilogy", "Cleopatra", "The British Are Coming", "I've Had It Up to Here"
- The White Album - "Summer Elaine and Drunk Dori", "L.A. Girlz"
- Pacific Daydream - "Mexican Fender, "Beach Boys", "Weekend Woman"
- The Black Album - "Byzantine"
- OK Human - "Bird with a Broken Wing" ; "(whole album as one track as mixed by Patrick Wilson early in the mixing process)"
- Van Weezer - "Thrown It All Away"
Songs not on Albums
- Press Any Key to Begin (2001)
- "Desire" (single, 2004)
- Appears on Hello Children: The Peter Sellers RMX ("Dr. Strangelove Sings the Beatles Pt. 1 (Num Num Mix)", 2004)
- Appears on Amazon Grace ("How Many Minutes", 2006)
- Appears on Beetbox 2: Electric Boogaloo ("If You Listen", 2006)
- I Must Find This Karlophone... (2007)
- Appears on Weezer Raditude Club: iTunes pass ("The Prettiest Girl in the Whole Wide World (Karlophone Remix)", 2009)
with Southern Fried Swing
- Free Flight Thru the Universe of Sound (2001)
- "Angel Wings" (officially released demo, 2003)
- Appears on Beetbox 2: Electric Boogaloo ("The Lesson", 2006)
- Snow Lust (unreleased)
Appearances on Weezer recordings
- "Undone - The Sweater Song" - spoken word intro and post-chorus, "piano madness" in outro
- "Buddy Holly" - handclaps
- "Across the Sea" - incidental noises
- "The Good Life" - cymbal roll
- "Butterfly" - percussion
- "Don't Let Go" - backing vocals
- "Last Chance" (unreleased) - backing vocals
- "The Prettiest Girl in the Whole Wide World" (Karlophone remix) - engineer
|--||2004||Video Capture Device DVD|
|"Pink Triangle"||2004||Released on Video Capture Device|
|"Slob"||2004||Released on Video Capture Device|
|"I'm Your Daddy"||2009||Part of an ensemble of editors/directors|
|"Kids/Poker Face"||2009||Studio-recorded audio|
|"Feels Like Summer"||2017||"Roses N' Weezer" version|
|"Blast Off!"||2007||Properly released|
|"Lover in the Snow"||2007||Properly released|
|"My Brain Is Working Overtime"||2008||Properly released|
The Special Goodness
|"Life Goes By"||2003||Properly released|
Weezerpedia interviews with Karl Koch
Part 1: Megasnorkel interviews Karl Koch - October 3, 2008
Megasnorkel interviewed Koch in St. Paul, MN on October 3, 2008. This is a video interview.
- Part 1: Includes Koch's thoughts on how the tour is going, negative Weezer fans.
- Part 2: Koch's thoughts on the poor sales of Red, the state of the music industry.
- Part 3: How Koch gives input during the Weezer creative process.
- Part 4: The story of "I Will Poop on Their Car Seats" - with actions!
- Part 5: Karlophone, Southern Fried Swing.
- Part 6: Koch gets in a car accident with Rivers. AND GETS DANGEROUS!
Part 2: Ohjonas interviews Karl Koch - October 7, 2008
Four days later Ohjonas conducted an interview with Koch in Salt Lake City, Utah, on October 7, 2008. The audio-only interview was released as free podcast on iTunes.
Part 3: Donny interviews Karl Koch - October 16, 2017
Donny interviewed Koch in Cologne, Germany on October 16, 2017 while Weezer was on tour in Europe. The interview focuses on the period from 2009 up until Pacific Daydream.
Weezerpedia Discord Q&A - 2022
In 2022, Koch joined the official Weezerpedia Discord server. Shortly after, a channel inside of the server titled "#karlification" was created with the intent to host a constant Q&A session with Koch. The channel was opened on March 22, 2022, allowing any user of the server to ask questions of Koch.