|Studio album by Weezer|
|Released||May 14, 2002|
|Recorded||December 2001 at Cello Studios, Los Angeles|
|Producer(s)||Weezer with Chad Bamford and Rod Cervera|
|Singles from Maladroit|
I think you’ve been childish, a bit "toys out of the pram". Do you know what I mean?
I think so (laughs). Well, I try to give myself complete license to do whatever I want at any time regardless of how it affects other people and … I think the benefits I gain artistically from living like that outweigh the costs of, um, all the problems that I have with society.
Everyone hating me.
Immediately following the release of The Green Album, Weezer fired their management, Atlas/Third Rail Management, and longtime manager Pat Magnarella, leading to a protracted legal battle. According to Karl Koch, the firing was a "statement of intent" and Rivers Cuomo felt that the band didn't need management, and could simply fund their next album with their own money and pay themselves back when the album sold. Within mere weeks of the release of Green, the band began recording wholly new songs, booking recording sessions at Monster Island Studios in Washington, D.C. with the intention of finding potential producers for the band's next album. When performing for the BBC Radio 1 program The Evening Session on June 13, 2001, rather than performing songs to promote Green, the band instead opted to perform exclusively new songs.
Meanwhile, bassist Mikey Welsh's mental health began to deteriorate as a result of undiagnosed bi-polar disorder, drug abuse, and the duress of constant touring, leading him to attempt suicide via overdose in early August of 2001. The rest of the band, unable to determine Welsh's whereabouts for several days, quickly scheduled try-outs to find a replacement bassist in order to continue touring, eventually selecting Scott Shriner, who has remained the band's bassist ever since. Weezer began recording its first studio demos with Shriner at Sage & Sound Recording Studios in Hollywood from August 29 through September 8, right before embarking on the band's Midget Tour beginning on the 12th.
Between legs of the Midget Tour, the band recorded more demos at Steakhouse Studios in late October, and Cello Studios in early November. The set of unmastered demos from these sessions would be jokingly referred to by the band as "The Black Album". During this period, the band also revived the moniker "Goat Punishment" to perform a series of shows, including one recorded and broadcast for the HBO program Reverb. On November 14, the band recorded a set of songs at Glenn Sound Studios intended as exclusives for the radio station 107.7 The End, though the songs were never broadcast. Weezer entered Cello Studios to begin the proper recording sessions for Maladroit in December of 2001, and would continue throughout February of 2002.
Throughout the process of writing and recording Maladroit, Cuomo began encouraging webmaster Karl Koch to upload in-progress demos to weezer.com, in order to get feedback and to let the fans decide what direction the album would take. In the words of Koch, "...in a nutshell, the Summer Songs of 2000 died because of the need to please the record company, whereas the demos that became Maladroit existed to piss off the record company." Koch also uploaded soundboard recordings from the Midget Tour. By the time Maladroit was completed, the band had uploaded over 150 in-progress MP3s in various states of completion from the Cello sessions alone, in addition to numerous demos from the preceding studio sessions, all without Geffen's awareness or permission. During this process, an online message board called the "Rivers Criticism Board" was set up by fans. The board was soon after renamed the Rivers Correspondence Board after Cuomo himself began posting under the username "ace" (a nod to Ace Frehley of KISS). Cuomo would clash with fans in these interactions; the lyrics to the song "Space Rock" were rewritten during the Maladroit sessions to express his frustration with his fanbase ("They want it all, and they're pinning you to boards"). However, some fan suggestions were taken into account. The title "Maladroit" was suggested by a fan by the username of "lethe". Cuomo also admitted in an interview with Guitar World, "I never would have thought to put the song "Slob" on the record if the fans did not request it."Prior to the album's release, the band created a promotional CD featuring eight songs titled Songs from the Forthcoming "Maladroit", again without the label's foreknowledge, and sent it to hundreds of radio stations. Said Koch:
This was sent out by hand—we were stuffing envelopes—and we got the list of all the radio station addresses and who to send this to...we sent out hundreds of these things all over the country. Again, the label did not know we were doing this, even though we specifically asked them "Could you please get us the list of the radio stations you send CDs to?" They're like "Oh, sure! What do you need that for?" "Ah, don't worry about it!"
With the release of the promotional CD and the MP3s uploaded to the band's website, radio stations began playing the new songs and publications began reviewing them as early as January. Karl Koch thereafter began reporting daily on the airplay of Maladroit tracks as part of his weezer.com updates. This airplay, however, eventually brought the attention of Geffen, who then insisted that Cuomo write a letter to all of the radio stations the band had sent promos to, asking them to hold off on playing any of the new songs until the record company was ready to service the "Dope Nose" single.
Recording of Maladroit concluded in February, with additional bonus track recording sessions in April. By February of 2002, the band had already begun recording demos for their next album, well in advance of Maladroit's May release.
Maladroit was released on May 14, 2002, and was self-produced like Pinkerton (Rivers would describe it as "unproduced" at the time). The release date between The Green Album and Maladroit was, at the time, the shortest between any two Weezer yet released, at only one day shy of a year between them (although this record has since been beaten with the release of Hurley ten months after Raditude, and again with The Black Album, released just 37 days after The Teal Album). The man on the cover was dubbed Rupert Peasley by fans. The cover was ranked as one of "The Worst Record Covers of All Time" by Pitchfork Media in 2005.
As with all Weezer albums, it was an album of firsts. It was the first album to feature current bassist Scott Shriner after the breakdown and departure of Mikey Welsh, the first to contain a booklet with lyrics (which included a special message thanking Weezer boardies), and the first time a Weezer album has ventured further than the standard tracklist of 10 songs, stretching to 13 songs but still retaining the normal album length of a normal Weezer album. This was only repeated twice afterwards, with the twelve track Make Believe and thirteen track Everything Will Be Alright in the End, Weezer’s ninth studio album. The first 600,000 copies of Maladroit were numbered in a limited edition, with gold foil digits at the bottom corner.
|Metacritic||(72/100)||Continuous||Average score of collected album reviews|
|Allmusic||(4/5)||Not listed||Stephen Thomas Erlewine|
|E! Online||(B+; 83/100)||Not listed||Not listed|
|dotmusic||(4.0/5)||May 30, 2002||Chris Heath|
|Pitchfork Media||(5.4/10)||May 27, 2002||Rob Mitchum|
|PopMatters||Not given||June 28, 2002||Jason Damas|
|Nude as the News||Not given||Not listed||Jon Horowitz|
|Rolling Stone||(4.0/5)||May 9, 2002||Ann Powers|
|NME||(4.0/5)||September 12, 2005 (posted online)||Mark Beaumont|
|Kerrang!||(5.0/5)||May 11, 2002||Ian Winwood|
Maladroit received strong reviews at the time of release, but remains one of the band's lowest selling albums. The album's only singles, "Dope Nose" and "Keep Fishin'" received respectable radio play and MTV circulation, propelled by popular music videos, but failed to really get the album off the ground. The album tends to be divisive among fans, frequently being criticized for it's songwriting and the elsewhere mentioned "unproduced"-ness. Other hardcore fans seem to strongly enjoy it, and it remains well-liked by casual fans.
|"Fall Together" (Teenage Victory Songs)||Positive (The Grand Playlist)||November 10, 2009||Teenage Victory Songs|
Track listingAll songs written and composed by Rivers Cuomo.
|5.||"Death and Destruction"||2:38|
International bonus tracks
- The Quiet Storm
- "Dope Nose" (Live)
- "Death and Destruction" (Live)
- "Burndt Jamb (Live)
- The Cobo Challenge
- "Keep Fishin'" (Live)
- "Take Control" (Live)
- Rivers Cuomo – lead guitar, lead vocals
- Patrick Wilson – drums
- Brian Bell – rhythm guitar, backing vocals
- Scott Shriner – bass guitar, backing vocals
- Chad Bamford - additional production, engineering
- Rod Cervera - additional production
- Jordan Schur - executive production
- Todd Sullivan - A&R
- Tom Lord-Alge - mixing
- Femio Hernandez - assistant engineer (South Beach)
- Chris Carroll - additional engineering
- Carlos "Loco" Bedoya - additional engineering
- Darren Mora - assistant engineer
- Steven R. Robillard - assistant engineer
- Stephen Marcussen - mastering
- Francesca Restrepo - art direction
- Karl Koch - "Farm Hand", photography
- Sean Murphy - photography
- Chris McPherson - photography
- Sarah C. Kim - photography
- Pollack, Marc, and Simutis, David. "UNDER NEW MANAGEMENT: You Need A Scorecard To Keep Track, So We've Provided One" Hits Daily Double. 3 July 2001. https://hitsdailydouble.com/news&id=274861&title=UNDER-NEW-MANAGEMENT
- RIVERS CUOMO, an individual; PAT WILSON, an individual; BRIAN BELL, an individual; and MIKEY WELSH, an individual; collectively and professionally known as “WEEZER” vs. ATLAS/THIRD RAIL MANAGEMENT, INC., a California corporation; and PAT MAGNARELLA, an individual, https://www.dir.ca.gov/dlse/TAC/2001-21%20Rivers%20Cuomo%20et%20al%20v%20Atlas%20Third%20Rail%20mgmt%20inc.pdf
- Weezer Fan Club Vault Dive #1 https://www.youtube.com/watch?v=CtDgekROuac
- Beaujour, Tom. "Odder Than Hell" Guitar World. May 2002. Scans archived on Weezerpedia
- DiCrescenzo, Brent "The Worst Record Covers of All Time." Pitchfork. 14 November 2005. http://pitchfork.com/features/staff-lists/6194-the-worst-record-covers-of-all-time/7/